Coedited by Obsolete Capitalism and Stefano Oliva
INTRODUZIONE – INTRODUCTION – INTRODUCCIÓN
Stefano Oliva, Obsolete Capitalism
Introduzione 1-3
Introduction 1-3
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Necessità/Concetti – Necessities/Concepts – Nécessités/Concepts – Necesidades/Conceptos
Daniela Angelucci, Rompere il ritmo. Kant e il ritornello 4-12
Sifir / Zafer Aracagök, Rhuthmos / Arithmos Deconsidered 13-28
Ronald Bogue
Music and Holey Space 29-42
Musica e spazio bucato 29-42
Guillaume Collett, Nine Notes on the Refrain 43-57
Conor Heaney, Tragic Rhythms: Nietzsche and Agamben on Rhythm and Art 58-78
Henrique Rocha De Souza Lima, Difference as Rhythm and Thought as Subtractive Synthesis in Gilles Deleuze 79-94
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Sintomatologie – Symptomatologies – Symptomatologies – Sintomatologías
Edmund Berger, Anti-History: Deleuze and Guattari’s Attack on Civilization 95-115
Paddy Farr, The Cry of the Body Without Organs: a Schizoanalysis of Ed Bland’s Critical Race Theory of Jazz 116-128
Felipe Kong, Lentitud y política. Notas sobre el ritmo de los itinerantes 129-139
Obsolete Capitalism, In the Beginning There Was Chaos and Rhythm 140-159
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Occhi rossi – Red Eyes – Yeux Rouges – Ojos Rojos
Sara Baranzoni, Paolo Vignola, Rhythms of Locality. A Travel through Caribbean Performances and Literature 160-177
Bernd Herzogenrath, Ritmi In|umani 178-196
Claudio Kulesko, Don’t Fear the Reaper 197-209
Giuseppe Molica, L’avventura di un ritornello 210-222
Stefano Oliva, Music and Language? Deleuze, Guattari and Berio on Visage 223-231
Davide Tolfo, Nicola Zolin, Affetti, soggettività e ritornelli: l’impercettibile suono del Cosmo nel campo di battaglia acustico 232-250
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Nuove armi – New Weapons – Nouvelles Armes – Nuevas Armas
Paulo De Assis, Musical Works as Assemblages 251-275
Edward Campbell, Guattari, consistency and the musical assemblage 276-290
Pascale Criton, Variables, process et degré zéro 291-309
Lucia D’Errico, Schumann’s Dichterliebe: From the problem of performance to the performance of the problem 310-324
Lorenzo Pagliei, Time, Music, Curvatures, Turbulences. A Contemporary Exploration of Musical Time 325-350
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Regioni – Regions – Régions – Regiones
Iain Campbell, Deleuze and Guattari’s Semiorhythmology: A Sketch for a Rhythmic Theory of Signs 351-370
Halla Steinunn Stefánsdóttir, Stefan Östersjö, Participation and creation: towards an ecological understanding of musical creativity 371-385
Gregorio Tenti, Forma sonata. Deleuze, Ruyer e la musica del vivente 386-400
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Anomalie – Anomalies – Anomalies – Anomalías
Sebastian Wiedemann, Olas: Un experimento en pensamiento-cine entre la catástrofe, el ritmo y la diferencia. Ritornelos y notas para una poética de la inmanencia 401-427
